King Charles III Removes Prince Andrew’s Access to Former Apartment and Office at Buckingham Palace “Watching Billie Piper, one of my favourite actresses, play ‘me’ will be a pinch myself moment and I’m truly thrilled to be involved in this film.” “It is beyond my wildest dreams, especially as a first time writer, to end up working with this extraordinary cast, Netflix, and the amazing teams at The Lighthouse and Voltage,” McAlister said. Scoops: Behind The Scenes of the BBC’s Most Shocking Interviews, McAlister’s memoir about her career at Newsnight, serves as the basis for the film. The film has also cast Keeley Hawes as Andrew’s former private secretary Amanda Thirsk, along with Billie Piper as Sam McAlister, the producer who negotiated the booking. Rufus Sewell will be playing Prince Andrew, opposite the “Sex Education” actress. Gillian Anderson has joined the drama, playing former lead Newsnight presenter Emily Maitlis, who conducted the interview. Prince Harry Discusses Prince Andrew’s ‘Embarrassing Scandal’ In ‘Spare’ This week, Deadline reported that production had begun on the upcoming movie “Scoop”, about how BBC Newsnight landed their bombshell 2019 interview with Prince Andrew. If you\'re looking to purchase the music you heard in the movie, I would recommend a collection of Tchaikovsky\'s ballets, which are only heard in part here and are the highlight of this soundtrack.Gillian Anderson, Rufus Sewell - Photo: Getty ImagesĪnother royal scandal is coming to Netflix. Woody Allen is known for choosing music that works together across styles on one album, but it doesn\'t work as well as usual here. I don\'t know where "Miami Beach Rhumba" or the three Lester Lanin tracks at the end of the album fit the movie, but they feel very out of place on this soundtrack. While the majority of it is classical, there are a few jazz influences that don\'t seem to fit the album as a whole and disrupt the listening experience. My only criticism of this soundtrack comes from listening to it on disc. Personally, I prefer scores that are inspired by and composed for a film, but Allen has a knack for choosing the right music out of the extensive, existing canon. Grieg\'s "In the Hall of the Mountain King" is another well known piece, and again the tone of this piece fits the combination of comedy, mystery, and magic that Allen\'s story includes, with its lilting melody that accelerates almost beyond control. For a romantic comedy that deals in part with magicians and magic, I cannot think of better classical music than Tchaikovsky\'s Swan Lake and The Nutcracker, which segue flawlessly between a light, magical innocence and tense drama just listen to the first track on the disc. This soundtrack is weighted on the classical side with selections from Tchaikovsky, Strauss, and Grieg comprising the majority of the album. With Match Point, he steered towards classical music, and his most recent project, Scoop, maintains this approach. Instead, Allen is known for compiling soundtracks from Dixieland and jazz selections. Other than composer and pianist Dick Hyman, who wrote music for perhaps half a dozen out of Woody Allen\'s thirty-plus directed films, Allen has not used an original score since 1972\'s Everything You Always Wanted to Know About Sex But Were Afraid To Ask, and a self composed score to Sleeper in 1973.
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